Christopher Nolan and his wife, Emma Thomas, are among the nominated couples poised for Oscar glory at the 2024 Academy Awards in March. Their billion-dollar awards juggernaut, "Oppenheimer," is the latest success in a creative and life partnership which began more than 30 years ago, on their first night of college.
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Nolan, 53, and Thomas, 52, met in the dorms of University College London in the early 1990s and have been together ever since. Thomas, who was born in London but spent much of her childhood in the Middle East for her father's Civil Service career, has produced every one of Nolan's films going back to his first student short "Larceny" (1996), through The Dark Knight trilogy and onto recent hits "Dunkirk" and "Oppenheimer."
Despite his auteur status, and the scope and narrative complexity of his films, Christopher Nolan's filmmaking is grounded in his relationship with Emma Thomas. In a 2008 interview for the BBC's Desert Island Discs, the director said of his wife: "I've come to believe in the concept of love at first sight because I realize it actually happened to me."
The couple have been married for 27 years and share four children: Flora, Magnus, Rory and Oliver — all of whom have appeared in Nolan's films and hit the red carpet alongside their famous parents.
Read on for a timeline of Christopher Nolan and Emma Thomas' relationship, from their scrappy student film days to the "massive advantage" of being parents who work together.
Christopher Nolan and Emma Thomas Met in College
Nolan and Thomas met on their first night in the residence halls at University College London in the early 1990s. She studied Ancient History, and he English Literature. Once they started dating, Thomas began hanging out in the school's film society (of which Nolan was president) and pitching in on her boyfriend's early films.
"I started producing short films for Chris without really understanding what I was doing," Thomas told Vanity Fair in 2018. "I just thought I was helping out."
Those experimental shorts were the much-celebrated "Larceny" (1996) and "Doodlebug" (1997). After graduation, Nolan's first feature film "Following" (1998), which Thomas produced, premiered to rave reviews at international film festivals and set him up as cinema's newest wunderkind. "Memento" (2000) and "Insomnia" (2002) cemented his status — Thomas' career as a Hollywood producer.
They Started a Production Company in 2001
Nolan and Thomas wed in 1997 and co-founded their production company, Syncopy, in 2001. As of 2018, Syncopy only employed two other people — a surprisingly small outfit for such massive films.
Nolan's first production through Syncopy was "Batman Begins" (2005). He's self-produced every one of his films, plus Zack Snyder's 2013 Superman tentpole "Man of Steel," with his wife ever since.
Emma Thomas Gave Nolan the Idea for 'Dunkirk'
In her producing capacity, Thomas has been nominated for a bevy of awards. She's poised to win her first Oscar for Best Picture for "Oppenheimer" after two previous nominations for "Inception" and "Dunkirk." In Feb. 2024, she took home her first BAFTA Award for "Oppenheimer."
While Thomas humbly refers to herself as a "manager," she's a key creative partner in Nolan's films. In fact, she gave her husband the book "Forgotten Voices of Dunkirk," which inspired Nolan's 2017 epic.
All About Their Four Kids
In 2001, the same year they started Syncopy, Nolan and Thomas welcomed their first child. You might have spotted 23-year-old Flora Nolan in a brief, but shocking, "Oppenheimer" role as "Burn Victim." An odd sort of role for a father to place his daughter, but Nolan needed an actor who would "roll with" the experimental sequence, he told The Telegraph.
Flora studied Collaborative Arts at NYU Tisch and hopes to become a filmmaker herself. Nolan and Thomas also share three sons. Magnus, 15, is an aspiring photographer; then there's Rory and Oliver.
The family of four reside in Los Angeles and, remarkably, live a pretty normal life:
"Sometimes people will say to me, 'Gosh, how do you do it? You have four kids and you make these big movies.' But the fact that I work with my children's father means I can bring my kids to work. I have a massive advantage," Thomas told Vanity Fair, adding, "We always know that it's finite. It's over, and then we come back to a rather more normal life."